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Showing posts with label personal. Show all posts
Showing posts with label personal. Show all posts

Tuesday, March 20, 2012

Perspectives on faith

A long while ago while in college, I read The Arabian Nights (which is not a children's book at all)*, which lead me to read about Sufism. Along the way I came across this aphorism, by Al-Ghazali (shortened considerably here).
If you love someone because it makes you happy, it shouldn't be said that you love that person. Instead you love being happy. 
There's a toughness and honesty to that quote (even in it's longer form, look about halfway down the page). It's inconvenient to boot. Sufism in general, a great essay by Al-Ghazali (which can be found here)**, and that quote have stayed with me over the years. My personal variation of the quote:
If you believe something to be true that happens to be convenient to your needs, it's probably not true. It's probably just convenient to your needs.
So I think that it's wonderful that the Bloomsburg University student chapter of the Global Awareness Society International (GASI) Student Chapter is hosting an interfaith panel religious tolerance on Thursday, March 22, at 7 p.m. in Hartline Science Center, room 108.

The event will start with a screening  the documentary of "The Muslim Jesus," which talks about the Biblical and Quran's account of Jesus's life and teaching. The documentary does not provide any commentaries on the validity of the stories, but rather provokes reflection on the harmony behind these two narratives. After the movie a panel of religious scholars will speak. Anticipated speakers will include: Rev. James Edwards, Episcopal Priest; Rev. Rick Phillips, Lutheran Pastor; Rabbi Shaul Rappeport, Orthodox Jewish Rabbi; Chaplain Karl A. Polm-Faudre, Buddhist Bodhisattva; Sonia Ammar, devout Muslim and professor of Management at BU. The panelists will be there to answer questions.

** From memory and in a nutshell: In his essay, Al-Ghazali observes that most people he encounters happen to believe what they were taught to believe as they grew up. That seems to him to be an indicator of coincidence and not truth, so he sets out to learn about all religions.

* The non-children's versions of The Arabian Nights feature a series of stories within stories. Heroine Scheherazade tells stories that never quite finish to a disturbed king. The king delays her execution so he can hear the ending. The original core of stories (eg: Fisherman and the Genie, Three Ladies of Baghdad) are believed to originate from what is now Syria. This group of stories within stories, sometimes three or four levels deep, features shifting narrators that have the effect of forcing the reader/listener to consider alternate perspectives ... in a way that is similar to a Sufi parable or Zen koan. Some well-known stories (Sindbad for example) are later additions and not as structurally complicated.

— EGF

Monday, March 19, 2012

The Frack Truth

This is something I don't often do, but I think that this essay by a retired journalism professor and award-winning writer Walter Brasch is important and timely.

FRACKING: Health, Environmental Impact Greater Than Claimed.

Monday, February 27, 2012

Albinoni's Adagio: Sunday, March 4


You've seen this movie before. Or one just like it.
A very slow bass line played on an organ.
The man and the woman stand at the train station.  He must leave to go half a continent away. 
Cue violins. Strung with the nerves of your heart stretched over the bridge, wound round the ebony pegs and turned to an open G. 
They kiss, they part, he boards the train. 
 Suddenly, the music fades. A solo violin comes to the fore ... strange scalar runs. Confusion.  
The trains pulls away from the station.  
The organ, the violins, come back, stronger, tauter than ever.  
The mans stands on the platform behind the woman. He's decided to stay.
And you've heard the music. Tomaso Albinoni's Adagio in G minor. A great chestnut of classical music, almost a cliché. Except that it isn't.

For one thing, its source is a bit of a mystery. For another, cliché or not, it's beautiful. More about the mystery just a little later.

And so here's an interesting opportunity:

The Bloomsburg University of Pennsylvania Chamber Orchestra will perform it live on Sunday, March 4, at 2:30 p.m. in St. Matthew Lutheran Church, 123 Market St., Bloomsburg.

St. Matthew Church has, by the way ... a real pipe organ (above).

The performance is free and open to the public.

Directed by Mark Jelinek, professor of music, this 47-student orchestra will perform, in addition to the adagio, Stokowski and Bach’s Passcaglia and Fugue in C minor, Gabrieli and Welker’s Sonata Pian’ e Forte, Gluck’s Overture to “Iphigenia in Aulis,” Quantz’s Concerto for Flute in G; Morricone (yeah, The Good, the Bad and the Ugly composer) and Longfield’s “The Mission: Gabriel’s Oboe” and Mozart’s Horn Concerto No. 4 in E flat.

Soloists will be Ashley Miller, flute; Alan Hack, organ; Karena McCarty, oboe; and Christiana Smith, horn.

About the mystery of the Albinoni Adagio: Albinoni lived from 1671 to 1751, the Italian baroque. I'm no musicologist ... but it's hard to get past the romanticism of the piece and place it in the 1700s. In fact, it just might be a twentieth-century piece. Italian critic, musicologist and composer Remo Giazotto (1910-1998) claimed to have found a fragment of a manuscript of Albinoni's work ... and constructed the Adagio in G minor from that manuscript. Who is the true composer?

In truth, does it matter?

Beauty is truth, truth beauty, —that is all. Ye know on earth, and all ye need to know 

— John Keats
PS: Try this on for a strange version, by of all people, The Doors.

— EGF